The Easiest Way To Add A Bit Of Entertaining To The Upcoming Garden Get Together

May 21st, 2013

Winter is almost finished. That implies the fact that before long you can spend some time outside of your home. In the event that you like music then setting up a number of loudspeakers out in the open is definitely a fantastic choice. Oftentimes, speakers are only put in place temporarily for instance during a party. Once the event is done, the speakers are taken back indoors to be able to avoid struggling with weather conditions for example rainwater. A downside in those non permanent setups is always that running speaker cord from your dwelling outside takes lots of time. As an alternative, lots of individuals have started to work with portable outdoor speakers. Obviously, wireless loudspeakers never have to be wired through loudspeaker cord. The loudspeaker cable is replaced by a wireless link. Here, I am going to speak about the setup of cordless speakers outdoors.

To help you streamline the setup, choosing cordless speakers is definitely a good choice for outdoors. Not having to run loudspeaker wire will make installing those loudspeakers rather easy. But, consider these concerns. In case you want to use cordless speakers outside the house for good then you have to take additional care while picking a loudspeaker. Additionally, deciding on a good location for setting up your speaker will be essential. Obviously, the outdoor environment is definitely a lot more difficult for almost any type of speaker in comparison with the indoor environment. Elements just like moisture, high and low temperatures in addition to direct sunshine can do some harm to your loudspeaker. Cordless speakers are far more sensitive to humidity when compared with normal speakers. That is since inside you will find a number of parts which are likely to easily get damaged in the event that there is moisture getting inside your loudspeaker. Hence, suppliers of cordless loudspeakers which are created for permanent installation outdoors, have put together various solutions for improving the dependability of their products.When buying an outdoor speaker, ensure that you verify that the speaker is sturdy enough to get put in for good out in the open. To illustrate, the control elements of your speakers for example volume control or audio channel-switch buttons usually are covered by some water-resistant material. While investing in a loudspeaker, ensure that you look at it adequately. There really should be some material inserted into the gaps of the speaker enclosure to help prevent any water from creeping inside your loudspeaker.Due to the amount of protection that the speaker needs to be sturdy, great outdoor loudspeakers could be quite pricey. Consequently, you might not be able to pay for a loudspeaker which can be put in out in the open for good. Alternatively, you could use a regular cordless loudspeaker in the open air for the short term. For non permanent installations, cordless speakers are vital as you don’t have to run lengthy wires each and every time you put in your loudspeaker. Note however that wireless types of loudspeakers require electric power. Electric power is required to allow the internal amplifier as well as wireless module to function. In case you do not have a mains power socket outdoors, then your only alternative is to make use of a wireless speaker which works with batteries.

If utilizing electric batteries, remember that the current of these kinds of batteries is pretty restricted. Subsequently, the wattage of the speaker may be affected. Battery-operated cordless loudspeakers usually do not have much more than 5 W of speaker electrical power. Batteries discharge with time and as a result the maximum loudspeaker electrical power is going to diminish the longer you use the loudspeakers. For relatively brief gatherings, battery-powered cordless speakers are quite suitable.

How Moisture Will Ruin Your Wireless Loudspeakers

May 9th, 2013

In case you like having a celebration within your yard then putting in a number of loudspeakers in order to play music is generally vital. Many people will take the speakers back indoors right after an event for example a celebration ends. Wireless speakers can be one excellent solution in case you use loudspeakers outside of your residence just every once in a while. Wireless speakers have the benefit of being very easy to put in. You don’t need to run long speaker wire outside the house when you use them. Then again, please read on for you to find a number of further helpful hints regarding setting up wireless loudspeakers outdoors.

Commonly, cordless loudspeakers can be an excellent solution for outdoor use. Out-of-doors applications create special problems to almost any model of loudspeaker. As a result you will need to pay particular attention to certain details whenever choosing a loudspeaker. At the same time, purchasing the best place for the loudspeaker can be vital. Bad weather, extreme temperatures and sun light will be some of the difficulties which speakers confront while being set up out in the open. Water can do some major harm to cordless speakers. That is because when water gets inside your loudspeaker, it could possibly make contact with the sensitive electric parts and as a result damage the speaker forever.

Make certain that the speaker may withstand an occasional rainfall while you purchase a type to get set up outdoors. This helps prevent any water from getting to the interior of your speaker. Additionally, nearly all speaker suppliers may add some protective material in spots where water can easily get inside the loudspeakers such as the space between various pieces of the loudspeaker housing. By performing a visual examination, you will be able to quickly figure out whether or not a loudspeaker has got some of these defenses.

Seeing that cordless loudspeakers which are made for long-term installation outdoors tend to be pretty high-priced, you could instead order a standard set of wireless speakers that will be a lot less costly. These loudspeakers, though, can’t withstand bad weather and high moisture.. Right after your celebration finishes, you’ll carry your loudspeaker back inside. Inside your residence, your loudspeaker will be safe from rain. As the loudspeakers are cordless, carrying these outdoors is quite easy. Wireless speakers are normally operated via a power source which needs to be attached to a mains socket. When you don’t have power outside of your house, you could instead pick a loudspeaker which instead works with rechargeable batteries.

Battery-powered cordless loudspeakers, though, commonly have quite limited electrical power. That is mainly because batteries commonly have a rather low current. Furthermore, the longer you run your loudspeakers, the lower the battery voltage will get. For this reason you may notice that the highest volume of the speakers is going to decrease over time. Possessing a spare set of batteries is a great idea given that as soon as your batteries run out of electrical power, you may just swap them and keep utilizing the loudspeakers. In the event that you need additional electrical power from the cordless loudspeakers, though, then connecting your speakers by using a wallwart to a mains outlet is vital.

Two Hot Zebra Sandwiches To Go

April 16th, 2011

Today: ethics, perceptions, expressions, enforced and sustainable preservation of plant and animal species, images,  guitars, and a few quick must do guitar how to’s that some of you can learn to do all by yourself.

You’ve no doubt heard the expression that “There’s more than one way to skin a cat?” But why would you? This is, of course, an old expression that means that there’s more than one way to do something or to get something done. An explanation of the origins of this expression may be found here (http://www.worldwidewords.org/qa/qa-mor1.htm). Using your imagination and taking this expression literally, the act is a violent one, conjuring up terribly gruesome images, no matter how you feel about cats. It is an expression that was once used quite often. Not so much anymore. “Killing 2 birds with 1 stone” is another expression that conjures up violent imagery. We get the point. Is it in the nature of our national character that such expressions gain popularity? Is there even such a thing as a national character in a country such as ours? A land of immigrants from every corner of the globe. OK. Go ahead. Find  me a corner on the globe–any globe. I know I’m drifting. Back to the show!

 

To bring your attention to a couple of my guitars, I’ve come up with a new expression. An expression that can evoke a similar response on the part of the reader as those described above. We can laugh at the idea of “hot zebra sandwiches” because it sounds funny and because we (I) don’t really take it seriously. No doubt, there are restaurants in certain locales where one may order a zebra sandwich. Doing a bit more research, I’ve so far come up with nothing. Apparently zebra meat is considered a delicacy in some cultures though. The catch is that there are no legal avenues for obtaining it (that I’m aware of). One must rely on poachers; poachers who are regularly arrested in places like Nairobi, Kenya whenever the national park police can catch them killing zebras and other endangered animals.

 

Fortunately for people like you and me, zebrawood is available from quite legal and sustainable sources. Like so many wood species, zebrawood has to be protected from over- harvesting. A combination of effective law enforcement in targeted forest zones and efficient tree plantation growing practices, helps to assure the continued survival of the species.

 

So here in this article, obviously the “hot zebra sandwich” is merely a play on words. Besides, I’m a vegetarian. I created two electric guitars made largely of zebrawood. In the case of one of these, zebrawood is used for the top and back of the instrument and American black walnut is “sandwiched” between the two. For the second instrument, zebrawood is used throughout, where the tone and grain of the center plate is visually distinct from the top and back.

“The wood of Microberlinia, also known as Zebrano,is imported from Central Africa,(Gabon,Cameroon,and Congo).

”(http://en.wikipedia.org/wiki/Zebrawood)

These instruments are not only distinct visually from each other, but the built-in electronics are very different. One is equipped with Golden Age™ ALNICO matched V-Style pickups with a 5-way switch and the other has Seymour Duncan™ humbuckers installed along with a 3-way switch. Naturally they possess individual sonic characteristics; something that’s impossible for me to describe in words Shortly, I intend to create a brief YouTube video that will clearly distinguish these 2 instruments sonically.

In this zebrawood jazz model you can see the “sandwiched” walnut plate.

 

 

In this(below)all zebrawood solid body model, the “sandwiched” plate is also zebrawood.The grain runs in another direction and the tone (color) of the plate is much lighter. What you can’t see is that the center plate is much less dense than the top and the bottom of the guitar body. It likely came from the outer part of the tree where the wood is generally less dense than the heartwood (inner portion of the tree). This choice accomplishes 2 things. First, it makes the instrument lighter in weight. Secondly, it may even help enrich the overall sound quality of the guitar.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Using the Jazz model as an example, I’d like to briefly describe the operations necessary before we can call this instrument complete, finished, and ready to play. They are: straightening the neck(if necessary), leveling the frets, crowning and polishing the frets, and cutting down the height of the guitar’s nut.

Prior to leveling the frets, I first must make sure that the neck is straight. Using an absolutely flat straight edge and by making small incremental partial turns with the truss rod wrench, it’s fairly easy to arrive at your ideal neck setting.

 

 

 

 

 

 

 

 

 

 

 

Once this is done, the frets must be leveled. This is done with a heavy steel leveling bar and adhesive-backed sandpaper. The idea is that the frets should be cut down to the bare minimum necessary to achieve your goal, i.e., a flat surface where the frets are just touching the surface of the straight edge. I use 150 grade sandpaper.

 

 

 

 

 

 

 

 

 

 

 

You are left with a flat surface on those frets that were on the high side, i.e., those that were sanded with the steel surface leveling bar. At this point each fret must be “crowned.” A crowning file is a curved file that rounds each fret, achieving, once polished, a surface suitable for playing on. Here is a crowning file with additional inserts to accommodate various fret sizes. Frets range from narrow to wide and from high to low.

 

 

 

 

 

 

 

 

Fret polishing is achieved with a small buffing wheel attached to a small high-speed grinder. An electric drill will do. A small quantity of polishing compound on the buffing wheel will achieved your desired polish. A gentle pressure will do the job. Too much pressure will change the shape of the fret.

Another thing that you can do to increase the sustaining power of your individual notes when playing is to cut down the height of your guitar’s nut to the minimum necessary to hold your strings in place.

 

 

 

 

 

 

 

 

In the above case, you can see that the strings will get buried in the nut. Technically, this will work out fine, but isn’t necessary and not recommended. You also run the risk of strings getting caught and pinched in a groove so they can’t be tuned. Easy to correct but a real drag when you’re attempting to tune your guitar. This bone nut was sanded down another 1/8”, so that the strings are simply cradled in the groove. This easy step can dramatically increase a note’s resonance (sustain) and enrich your playing experience.

Here’s the Jazz zebrawood guitar prior to the final setup step that involves adjusting the string height properly, i.e., not too high (hard to play) and not too low (fret buzz).

 

 

 

 

 

 

 

 

 

 

In the case of the solid body double cutaway zebrawood model below, the repetitive diamond patterns were achieved by resawing (slice board into 2 matching boards) the board and rearranging the sections to achieve the effect.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Get full description and additional image views here http://www.ericjosephelectricguitars.com/shop/zebrawood-black-walnut-jazz-p-106.html?cPath=33

Get full description and additional image views here

http://www.ericjosephelectricguitars.com/shop/unique-designafrican-zebrawood-padoak-p-35.html?cPath=34

 

 

 

 

Buddy Holly: An Inspiration to Guitarists Everywhere

April 5th, 2011

In my recent posting entitled “A Righteous Path”, I spoke of some old Buddy Holly footage I viewed on YouTube. It occurred to me later on that I probably should have shared some of those urls with you. While putting them together, I came across some others as well.  So what follows are some videos that I’ve organized into a fascinating and historically accurate (for the most part) chronology. Those individuals responsible for creating these compositions did a magnificent job. And like so many other works of value in this life, the whole is greater than the sum of its parts. Whether or not you are a Buddy Holly fan, I think that it’s not very hard to understand why millions from my generation picked up on a guitar and learned how to play it. Had they studied as hard in school as they studied their guitars, I’m sure that there would have been record-breaking numbers of “A” students all across America back in the period of the late 1950’s through the late 1960’s.

 

Buddy Holly on the Arthur Murray Dance Party – Peggy Sue (live)12/29/57

http://www.youtube.com/watch?v=WQiIMuOKIzY&feature=related

 

Buddy Holly & The Crickets – Maybe Baby live 1958 on BBC’s “Off The Record”

http://www.youtube.com/watch?v=X5Y8r9NBuC4&feature=related

 

 

The following is a terrific Buddy Holly documentary.

YouTube – Rave On (1/3)

http://www.youtube.com/wah?v=PjhR2S1sX00&feature=related

YouTube – Rave On (2/3)

http://www.youtube.com/watch?v=hy9ZL5-ZnOw&NR=1

YouTube – Rave On (3/3)

http://www.youtube.com/watch?v=A3stex5qXSw&feature=related

 

What follows is the 1st part of a documentary put together by Sonny Curtis. Dissatisfied with the inaccurate Hollywood account of Buddy Holly’s story (The Buddy Holly Story starring Gary Busey), Mr. Curtis decided to set the record straight. Paul McCartney produced and narrated this film.

`

The Real Buddy Holly Story 1 of 10  – Paul McCartney

http://www.youtube.com/watch?v=kSDMRjBjKIg&NR=1

 

Waylon Jennings gained early fame as Buddy Holly’s bass player after the breakup of The Crickets. The following film briefly explores Jennings and his relationship with Buddy Holly.

http://www.youtube.com/watch?v=gL9CjiIPmUs&NR=1

 

Sonny Curtis – Songs written by Sonny Curtis

 

After the death of Buddy Holly, Curtis was “recruited as guitarist in the new version of The Crickets.”( http://www.buddyhollyonline.com/related/curtis.html).  Soon thereafter, he took over as lead singer. Much earlier “he was lead guitarist in Buddy Holly’s pre-Crickets band, The Three Tunes…” (http://www.sonnycurtis.com/bio.htm). As a teenager, his “friends and contemporaries were fellow musicians Buddy Holly, Waylon Jennings, and future Crickets (J.I. Allison, Joe B.Mauldin, and Glen D. Hardin).” (http://www.sonnycurtis.com/bio.htm).

 

In 1956 he joined with Buddy Holly and the future Crickets in Nashville. He played lead guitar on “Rock Around With Ollie Vee” (which he wrote) as well as on other Holly recordings. “On those recordings, Sonny made history as the first rock ‘n roller to record playing a Fender Stratocaster”( http://www.sonnycurtis.com/bio.htm).

 

It is Sonny Curtis who we see playing at the beginning of “The Real Buddy Holly Story”. After seeing the grossly exaggerated and fictionalized Hollywood version of the Buddy Holly Story with Gary Busey, he felt compelled to write the documentary (that Paul McCartney produced and hosted) to set the record straight.

 

What follows are famous performances of songs written by Sonny Curtis.

 

I Fought The Law – The Crickets 1959-(ORIGINAL VERSIONS).wmv

http://www.youtube.com/watch?v=nxmlcTVFvic&feature=related

 

Bobby Fuller Four – I Fought the Law

http://www.youtube.com/watch?v=CPXnoLAEUSQ&feature=list_related&playnext=1&list=MLGxdCwVVULXcnJeinAyelaK57qGgrUEKi

 

Buddy Holly & The Crickets – Love’s Made A Fool Of You

http://www.youtube.com/watch?v=3T3DUny4WoE

Bobby Fuller Four – Love’s made a fool of you

http://www.youtube.com/watch?v=F0w3d7Q4tT0&feature=related

 

Having met her just 6 hours earlier in June of 1958, Buddy Holly proposed to Maria Elena Santiago. They married in August. He would be gone less than 6 months later.

 

“The Winter Dance Party” was a tour that was set to cover twenty-four Midwestern cities in three weeks. Participants in the tour were some of the greatest talents in the music business at the time. Aside from Holly, other members of the tour included Richie Valens, J. P. “The Big Bopper” Richardson, Dion DiMucci (of Dion and the Belmonts), and Holly bandmates Waylon Jennings and Tommy Allsup. Holly suggested that they charter a plane to get them to the next tour stop in Moorhead, Minnesota. The alternative was to drive the 380 miles to Moorhead in the unheated tour bus. It was this plane that went down just outside of Clear Lake, Iowa on February 3, 1959, taking the lives of Buddy Holly, Richie Valens, J. P. “The Big Bopper” Richardson, and the pilot, 21 year old Roger Peterson.

 

Each year since that fateful day, family and friends of Buddy Holly, Richie Valens (and others), book the Surf Ballroom in Clear Lake to celebrate the life and times of these music giants. On the 50th anniversary of their deaths, the following interview was conducted by Kevin Montgomery with Maria Elena Holly.

 

50 Winters Later-Interview w/ Maria Elena Holly

http://www.youtube.com/watch?v=n7f0N1vc8Sc&NR=1

 

Further insights can be found in the following interview of Maria Elena Holly conducted by Don McLean of “American Pie” fame.

 

Maria Elena: My Life with Buddy (Buddy Holly), Interview by Don McLean

http://www.youtube.com/watch?v=QJssvXI_QwY&feature=related

 

Despite the numerous clips presented here, there are many others out there in “the Cloud”, including previously unseen live performances, studio outtakes, and audio only recordings. The research can be exhausting but it is almost always rewarding.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Eric Joseph

March 25th, 2011

Eric Joseph

I’ve become very reflective lately. It might have something to do with a recent birthday and a new designation-that of senior citizen. A senior citizen plagued with a degenerative bone condition that affects the entire body. No doubt, the decades of wood and stone carving that have been a big part of my history didn’t help. The good news is that there are things one can do to minimize the negatives. Among them are daily exercises, changes to the diet, vitamins, and prescription medications. I know that there is hardly anything so boring as listening to some guy talk about his aches and pains. But there’s a logic behind this writing today that I hope you will appreciate.

 

After going through numerous more benign pain-killing pharmaceuticals, meditation, and the like, the doctors treating me reached the conclusion that there was but one choice left to cut my physical pain to livable, tolerable levels. Morphine. Time-release morphine, around the clock. This so I can walk and sleep and function with relative normalcy, and write on the computer as I’m doing now. This is not in any way a recreational drug. In fact, there are side effects I’d rather not go into just now. Once the medication became established in my system, I found that I could continue working in my shop, taking frequent breaks to lie down to take the pressure off the spine. So while my output has been reduced, I’ve been able to continue my work as a designer and builder. While I’ve never been a very good guitar player, it’s always been an important part of my life. This too has been affected. After 5 to 10 minutes of playing I have to stop to apply heat to my hands. That helps. Grateful for what I can do, rather than dwelling on what I can no longer do, I’ve come to accept my physical limitations. At least it isn’t cancer! Thank goodness. I’ve lost too many people along the way. Way younger than me. Family, friends, classmates, and colleagues. Who hasn’t?

 

Up until about 10 years ago, I really felt immune to these sorts of life-altering afflictions. They happened to other people. So far I was correct. A great defense mechanism for the young. Why live in fear of something that isn’t likely to occur? Right? Tens of millions of Americans, born after WW 2 and before 1966 know from where I speak. The baby boomers. From the relatively benign aches and pains that you get now that were not part of your complaint vocabulary when you were younger, to the severe crippling category that we’re all beginning to see with greater frequency all around us as we get older. Or maybe we’re more aware of what’s always been there. And as there was a concentration of births in the late 1940’s, so we are beginning to see, almost on a daily basis, the regular and consistent march of published obituaries of baby boomers. Among these you can count people like you and me as well as the rich and famous. Rock stars and legends. There is no romance in getting old. None whatsoever. But what’s the alternative? And despite the ever-increasing frequency of these deaths, it doesn’t really get any easier to hear of the passing of those you’ve grown up with.

 

What does this have to do with guitars? Not a thing. Not a damn thing. Except for this. I could have had a nice comfy and secure retirement had I spent my life designing bombs. Or maybe dropping bombs. I’m glad that I didn’t do those things. I’m glad for my creations produced in the 40 some years I’ve been an artist and designer. The fact that some of those creations had utility, like guitars and furniture, and some didn’t, likes sculptures, is immaterial. It’s all contributed to making the journey a worthwhile one. And easier in a way knowing that you didn’t spend your time on earth hurting other people. Not intentionally anyway. And my children. They count as creations. I’m so glad that they happened. When all is said and done, it’s good to know that along with the things you’ve done in your life that were wrong or went wrong, the things you did right far outweighed the mistakes. It’s true that not everyone will fall into that category. But at the same time, I believe that most people have good intentions. You know in your heart if your actions in life have contributed to our world and enriched the lives of other people.

 

Late last night restless me was thumbing through some YouTube videos and quite by chance I stumbled upon some old Buddy Holly footage. Interesting stuff. Interviews. Studio outtakes and short 8mm family movies. The man’s determination, drive, and talent as a guitarist and songwriter came through loud and clear. His remarkable output in less than 2 years serves as an inspiration to millions worldwide to this day. Sometimes we need a reminder from those who inspire us that we are capable of much more than we might think.

 

No doubt that the unforeseen will occur during the life journey. Itmay be a debilitating illness, a financial setback, or even a natural disaster that affects a community or an entire country. Climbing back to health and well-being can seem like the hardest thing in the world to do. But you have to do it. Your self-respect and pride demand it of you.

 

 

 

 

 

 

 

 

 

 

A Righteous Path – The Custom Guitars Blog

March 25th, 2011

 

I’ve become very reflective lately. It might have something to do with a recent birthday and a new designation-that of senior citizen. A senior citizen plagued with a degenerative bone condition that affects the entire body. No doubt, the decades of wood and stone carving that have been a big part of my history didn’t help. The good news is that there are things one can do to minimize the negatives. Among them are daily exercises, changes to the diet, vitamins, and prescription medications. I know that there is hardly anything so boring as listening to some guy talk about his aches and pains. But there’s a logic behind this writing today that I hope you will appreciate.

 

After going through numerous more benign pain-killing pharmaceuticals, meditation, and the like, the doctors treating me reached the conclusion that there was but one choice left to cut my physical pain to livable, tolerable levels. Morphine. Time-release morphine, around the clock. This so I can walk and sleep and function with relative normalcy, and write on the computer as I’m doing now. This is not in any way a recreational drug. In fact, there are side effects I’d rather not go into just now. Once the medication became established in my system, I found that I could continue working in my shop, taking frequent breaks to lie down to take the pressure off the spine. So while my output has been reduced, I’ve been able to continue my work as a designer and builder. While I’ve never been a very good guitar player, it’s always been an important part of my life. This too has been affected. After 5 to 10 minutes of playing I have to stop to apply heat to my hands. That helps. Grateful for what I can do, rather than dwelling on what I can no longer do, I’ve come to accept my physical limitations. At least it isn’t cancer! Thank goodness. I’ve lost too many people along the way. Way younger than me. Family, friends, classmates, and colleagues. Who hasn’t?

 

Up until about 10 years ago, I really felt immune to these sorts of life-altering afflictions. They happened to other people. So far I was correct. A great defense mechanism for the young. Why live in fear of something that isn’t likely to occur? Right? Tens of millions of Americans, born after WW 2 and before 1966 know from where I speak. The baby boomers. From the relatively benign aches and pains that you get now that were not part of your complaint vocabulary when you were younger, to the severe crippling category that we’re all beginning to see with greater frequency all around us as we get older. Or maybe we’re more aware of what’s always been there. And as there was a concentration of births in the late 1940’s, so we are beginning to see, almost on a daily basis, the regular and consistent march of published obituaries of baby boomers. Among these you can count people like you and me as well as the rich and famous. Rock stars and legends. There is no romance in getting old. None whatsoever. But what’s the alternative? And despite the ever-increasing frequency of these deaths, it doesn’t really get any easier to hear of the passing of those you’ve grown up with.

 

What does this have to do with guitars? Not a thing. Not a damn thing. Except for this. I could have had a nice comfy and secure retirement had I spent my life designing bombs. Or maybe dropping bombs. I’m glad that I didn’t do those things. I’m glad for my creations produced in the 40 some years I’ve been an artist and designer. The fact that some of those creations had utility, like guitars and furniture, and some didn’t, likes sculptures, is immaterial. It’s all contributed to making the journey a worthwhile one. And easier in a way knowing that you didn’t spend your time on earth hurting other people. Not intentionally anyway. And my children. They count as creations. I’m so glad that they happened. When all is said and done, it’s good to know that along with the things you’ve done in your life that were wrong or went wrong, the things you did right far outweighed the mistakes. It’s true that not everyone will fall into that category. But at the same time, I believe that most people have good intentions. You know in your heart if your actions in life have contributed to our world and enriched the lives of other people.

 

Late last night restless me was thumbing through some YouTube videos and quite by chance I stumbled upon some old Buddy Holly footage. Interesting stuff. Interviews. Studio outtakes and short 8mm family movies. The man’s determination, drive, and talent as a guitarist and songwriter came through loud and clear. His remarkable output in less than 2 years serves as an inspiration to millions worldwide to this day. Sometimes we need a reminder from those who inspire us that we are capable of much more than we might think.

 

No doubt that the unforeseen will occur during the life journey. Itmay be a debilitating illness, a financial setback, or even a natural disaster that affects a community or an entire country. Climbing back to health and well-being can seem like the hardest thing in the world to do. But you have to do it. Your self-respect and pride demand it of you.

 

 

 

 

 

 

 

 

 

 

Maintaining Your Self Respect in an Increasingly Threatening Environment – The Custom Guitar Blog

March 8th, 2011

As part of the process of my own continuing education, I viewed a video on YouTube last night that got me thinking. It was of a guitar-maker who was demonstrating how to automate the process of making a fretboard. He designed a setup involving a track and a router. It was much more involved than that, of course. http://www.youtube.com/watch?v=M3JzZN0Moww&feature=related

On the side of that same page I noticed another video about carving a guitar neck. Digging deeper, I discovered that there were at least several people out there who devised similar, yet different setups to accomplish the same things, i.e., making a fretboard and carving a neck. Just to give you a for instance example of 2 very different methods–In one setup for carving a neck, the router did the moving while the neck blank remained stationary. http://www.youtube.com/watch?v=2hqmtAX5AFk&feature=related

In another, it was the router that was fixed in one position and the neck blank on the track that did the moving.http://www.youtube.com/watch?v=JI4Zt27cfhw&feature=related And in yet still another video, a luthier demonstrated a unique clamping setup designed to make the hand-carving of the neck blank more manageable.http://www.youtube.com/watch?v=eqBdT8JB0G0&NR=1

In each of these particular videos it was clear to me that these artists and craftsmen were individuals who insisted on finding their own answers to their own questions. This entrepreneurial spirit is what they have in common with one another, and what distinguishes them from most other people. As well, their approach to their work, their self-confidence, the required solitary nature in the process, and the independence exhibited through their individual solutions to design problems, also serve to differentiate them from the herd.

To be successful at producing a good and functioning guitar (or anything else of value), one needs a remarkable array of skills, many acquired through a wide range of both purposeful and accidental learning experiences. Back in the old days there were apprenticeships. Still others were fortunate in having a parent or relative who was knowledgeable about tools and were, at the same time, good teachers. Many public schools offered full courses of study in drawing and wood and metal shop. They would start in junior high (or middle school), and continue through much of high school. So what happened?

Back in the 1970’s, many public schools across our nation eliminated the manual arts from the core curriculum. While some school systems didn’t require shop practice and drafting in order to graduate, they nevertheless offered these subject areas as electives and areas of concentration for those students so inclined. So why did this radical change in public school policy come about? My guess is this. There was an assumption that most of the tangible, consumer goods in the US, were being made (manufactured) by Third World “have-nots” making 6 cents a day overseas. And this was likely to be a progressive trend into the foreseeable future. What’s the point in our children learning these skills if they will likely be making a living using their heads without getting their fingers dirty? We were moving in the direction of a service economy. America’s traditional manufacturing base was fading fast. All of a sudden there was no practical reason for kids to learn how to use tools, cut wood, weld metal, etc. The manual skills were not for everyone. College bound kids weren’t going to need those skills. Or so they thought.

What’s wrong with this way of thinking? What else was lost when these manual skills lost their value as a legitimate and necessary part of a common curriculum? For one thing, the practical, problem-solving part of the brain stopped getting the exercise it needed to grow and develop. It was the world-renowned educator Howard Gardner who discovered that there were different domains of intelligence. http://www.infed.org/thinkers/gardner.htm He recognized that the development of these nine domains of intelligence was crucial to the development of the whole person. (Note that this concept is central to modern learning theory and continues to be the subject of much debate). This one (the practical, problem-solving one) is no less important than the others. The notion that the manual arts are for the slower kids is absurd. In my line of work, it’s not enough to conceptualize an idea. Without the skills required to see it through to a tangible, workable prototype or product, the concept is merely that, a concept.

The process of public education can be seen as a circle- where students come to understand the links and relationships between all knowledge or subject areas. The end product (education) is greater than the sum of it’s parts; the parts comprised of the student’s grasp and understanding of numerous subjects or disciplines. A simple example might be the relationship between mathematics, drawing (technical and fine art), and the building of a basic 1 cubic foot wooden box using 1/2” plywood (i.e., when completed, all sides measure the same length and width). The box cannot make itself. Questions need to be answered like how many pieces of 1/2” plywood are required? What are the dimensions of each piece of plywood? The successful construction of the box requires knowledge, skill, patience, and common sense. There is one more requirement to building the box, and like each of the rest, requires a human to make it happen. And that is the knowledge and use of tools. For without tools, the successful building of the box cannot happen. I would venture to guess that more than 1/2 of the American population (not counting infants and toddlers) would be unsuccessful if given the task of building that plywood cube!

The guitar-makers identified at the beginning of this article demonstrated unique problem-solving and building skills that will serve them well throughout their lives. And the gifts that they exhibited in their videos can be applied to numerous projects, whether they be business directed or personal in nature. These guys were not born with the knowledge to achieve what they did. In order to devise the apparatus necessary to automate the fretboard and neck-making processes requires creativity. But first one must define a need. Then it’s a matter of taking existing knowledge to create something new that functions as it should, and that answers a defined need or desire.

Today, there are public schools in the US where kids can learn how to make a guitar. There are also well regarded independent schools of lutherie. For example, there is the Chicago School of Guitar Building http://www.specimenproducts.com/guitar_school/chicagoschoolofguitarmaking.html Another very well known school is The Red Rocks School of Fine Woodworking. The Guitar Building aspect of the program is super popular. http://www.youtube.com/watch?v=NXoZfZQf-XU You can imagine why. How many of you out there would have jumped at the opportunity to be doing that when you were in school? Me too!

The implications of Internet-based educational opportunities are huge. Those who complain that our public schools are not preparing our kids for the “jobs of tomorrow”, whatever they are, need to know that there are numerous alternative avenues to traditional public education. Many young adults will have to act on their own behalf to attain the skills they need and desire to make a living and thrive, not to merely survive. I’m not diminishing the value of survival. We all want to survive of course. But we want much more than that in this life.

How many of us have had a boss who treated us as little more than a piece of meat to fill a slot? And how many of those bosses got their jobs because of cronyism (who they knew) or nepotism (who they were related to)? Did you join the world of work to fulfill someone’s agenda or to achieve your own dreams? It’s not all about making money, although that’s a necessary part of it. But you need to be aware (I’m talking from experience here) that there are bosses out there who get their rocks off by oppressing their cattle, ah employees. These are called bullies or autocrats. Try your best to make your way through this life with your head held high, steering clear of these poor examples of living and thinking tissue. And if you can’t find your way on your own here in America because conditions stink and there’s little to choose from, go somewhere else where you will be valued.

The number of Americans, young Americans, who have chosen to move overseas permanently in recent years might surprise you. “According to recent estimates by the U.S. State Department, there are 6.6 million Americans living overseas, a little more than the entire population of the state of Massachusetts.” http://www.transitionsabroad.com/listings/living/living_abroad/living_abroad_by_country.shtml Many of these people are recent college graduates who have chosen to carve their own path in life instead of flippin’ burgers til they drop. You have options. Exercise them.

The Creation of My Very First Electric Guitar

February 21st, 2011

Years ago I took the big leap and decided to design an electric guitar. Having spent decades honing my woodworking skills as a sculptor, I felt ready to move into this new realm of art. Being a total novice at all this, I began where you might have expected. At the beginning. Really.

I put my research skills to work by going to the library, digging through the woodworking section, general crafts, furniture design, and other related fields. Next, I hit the bookstores. Books that I purchased and read (and continue to use as references) included:

The Electric Guitar, A History of an American Icon edited by Andre’ Millard

Build Your Own Electric Guitar by Martin Oakham

Guitar Electronics by T. A. Swike

American Basses, An Illustrated History and Players Guide by Jim Roberts

Making an Archtop Guitar by Robert Benedetto  (Something that I’d love to do when time permits)

The Guitar Handbook by Ralph Denyer

Electric Guitars The Illustrated Encyclopedia by Tony Bacon

As well, I continue to use my personal library books on various related subjects including routers, bandsaws, and hand tools. My shop was already fairly well put together. There were still a number of specialty hand and measuring tools that I would likely need. Of course, a working knowledge of wood species, particularly those closely associated with acoustics and musical instruments historically, was a must. Having a decades old collection of now aged hardwoods and softwoods at my disposal, I felt fairly confident that there was more than enough in the way of raw materials to get moving on my first electric guitar project.

Possessing basic drawing skills is very important when planning any shop project, whether it be a dining room table or a musical instrument. Sketching out a plan with pencil and paper helps in conceptualizing a project. All ideas are NOT worthy of pursuit. An artist or craftsman must use discretion when deciding on a project. It’s really hard to be objective when one is dealing with such a personal pursuit. Ultimately you have to say yes to one idea, and either reject all the others, or at least hold off on them until a later date.

I have never been one to copy the ideas developed by other people. This doesn’t mean that one isn’t influenced by others. This is something that can’t be helped. We don’t live in a vacuum, after all. Most all new ideas have some basis in past concepts and experience. Very few industrial designs are totally new concepts. Off hand, I can’t think of one that is.

My very first electric guitar was to be built using an exotic West African hardwood called wenge’.  I selected it for it’s inherent beauty and for it’s incredible resonant properties. This would be used for the top. For the back of the body, I selected eastern U.S. black walnut. As it turned out, this guitar would prove to be one of thinnest electrics I’d ever seen – 15/16” in thickness. This fact necessitated the installation of the 3-way switch in a unique sideways position (as you will see shortly).

I spent a few hours earlier this week gathering my digital images of this project in an easy to read visual chronology for this posting. The wenge’ wood top that you will see was accomplished by resawing a single board into 3 book-matched boards in order to create an interesting sine-curve configuration. From this point forward, I will tell the story of this first project exclusively with images. I hope that you like it.

African Wenge' Board

Don’t let this relatively small electric deceive you. It is equipped with 2 powerful humbucker pickups, a 3-way pickup selector switch, gold-plated hardware, locking tuning machines, fully adjustable bridge, and much more. It is loud and clear. Fast action. Super light weight. And perfect for someone with small to medium-sized hands and a medium reach. Translation: Ideal for a petite woman player or possibly a pre-teen or early teen player.

This instrument is not included in my website of instruments for sale. If you think that you might be interested in purchasing this guitar, contact me. I promise to let you have it for a super reasonable, hard to resist price. I can’t afford to give it away, but I can let you have it for a give-away price.

Intonation and String Action

February 15th, 2011

Intonation on a guitar indicates the proper length of each of your strings. Simply put, if you play an in tune G major chord at the third fret and then play the same G chord high up on the neck (an octave higher) and it is wrong, it means that your Intonation is off. What to do? First you need to identify which of the strings are incorrect. Maybe it’s 1 or 2 strings. Maybe it’s all 6.

Begin the process by tuning up your guitar E-A-D-G-B-E. Now check your 1st string (high E) at the 12th fret using your digital tuner. If the tuner indicates that the high E string at the 12th fret is sharp, for example, adjust the saddle for that string further away from the neck. The string will be slightly longer. Conversely, if the tuner indicates that the high E string at the 12th fret is flat, adjust the saddle for that string slightly closer to the neck. The string will be slightly shorter.

During this process you will need to recheck each string in the open position, then again at the 12th fret. Once you can establish that each string is correct in the open position and at the 12th fret AND that your harmonics are correct at the 12th fret, your Intonation is correct.

This process may seem a bit complicated the first or second time that you do it. It may even be something that you prefer to leave to an expert tech at your local music store. Most people don’t do this themselves. Many guitars are “set up” properly before they are sold, so the process may not even be necessary. If you do find it necessary to adjust your Intonation, refer to the illustrated graphic to help guide you.

The other major component of the guitar setup process is the string Action. Action refers to the ease of playing. This is mainly a function of the closeness of your strings to the frets. The idea is to get your strings as close as possible to your frets without creating buzz. How to do this? I won’t go into the details because it can be an enormously complicated process. And things can go wrong if you are new to this. Let someone who knows what they are doing take care of this for you.

Let me tell you this much though. It can be as simple as lowering your guitar’s bridge. But it can also be as complicated as lowering your guitar’s bridge, adjusting your neck’s straightness, filing down some of your frets, creating deeper grooves in your guitar’s nut, and adjusting your neck angle up or down. For most all these measures, irreversible damage may be done, possibly requiring major expensive reworking by an expert. So please don’t attempt this process unless you are super confident and experienced.

Why T.I.T.S. and Action Matter – Electric Guitar Essentials

January 30th, 2011

Hi All. It occurred to me that with all the writing that I’ve done lately,
I have neglected some things that are staring all guitar players in the face every time they play or listen to music. I am speaking of course about Tuning-Intonation-Tone-Sustain, and string Action. Without these essentials adjusted properly, you will get little satisfaction in playing your guitar or any guitar.

Realizing that few people would want to swallow all of this in one gulp, so to speak, today I’ll only deal with tuning and then I’ll move to the subject of “Resawing” because it’s interesting and it has a lot to do with Sustain and Tone. Intonation and Action are a bit more involved, so I thought that I’d save them for future postings.

Tuning a guitar is basic. I don’t mean that it’s easy, but rather, it’s what makes everything work in the language of music. Without it, you aren’t able to play music– in a conventional way. It’s true that you could create noise with a guitar in tune but it’s a lot easier to make noise when all 6 strings are ill-defined. Conversely, you have a much better chance to create music when your guitar is in tune. There’s no question about that. Chord structures are exact. What C-E-G means is a C major chord. A triad. You can strum all 3 simultaneously, or you could pluck E>C>G>C>E and so on – as an arpeggio or maybe as a broken chord. There are numerous ways a player can treat a chord. As well, there are numerous ways to tune a guitar. That comes later. What most of us want from the 6th to the 1st string is E A D G B E. Some people don’t require it, but most of us need an aid to help us get this right. If you haven’t already picked up on a portable digital tuner, do it. Ten to $15 is a small price to pay for peace of mind and convenience. Some guitars and amplifiers have tuners built-in. Below is an image of a digital tuner that I found at fretjam.com. It’s very easy to read. Notice the reactangle around Low E and the needle indicator at 0. This means that your Low E is in tune. Also the green light will be on. If the needle goes to the right, the right red light will be on. This tells you that your Low E is sharp. The string is too tight. It has to be slightly loosened at the Low E tuning machine. If the needle indicator goes to the left, the left red light will be on. This tells you that your Low E is flat. It’s too loose and it needs to be tightened slightly. Go through this simple process for each of your 6 strings and you’ll be all set.

Digital Tuner

Switching gears, I’d like to introduce you to Resawing. To resaw a piece of wood is to cut through it, parallel to the grain – Like slicing a stick of butter the wrong way. The main reasons for resawing is to (1) create 2 “book-matched” slices of wood, generally for decorative purposes. For example, the face of an electric bass or guitar, or a tabletop. and (2) make one board into 2 or more thinner boards. As an example, below you will see a series of images of a Macau ebony board that I have resawn to use as guitar fingerboards.

Macau Ebony Board

Bookmatched

Resaw 2

Major manufacturers, like Fender or Gibson can resaw a beautifully grained 2” thick board into several 1/8” slices that will provide the tops for several guitars. This saves money and it saves weight. For example, if you were to make one guitar from a 2” thick Macau ebony board, it may weigh 25 lbs. and cost several hundred dollars. The other approach is to laminate a 1/8” thick ebony veneer (very thin slice) to a plain-grained, but relatively lightweight Black walnut board. Their relative closeness in color helps to make the transition from one species to the other “flow” visually.

When modern guitarists speak of Tone, they generally are referring to the positive quality or character of a sound that they seek. There are shrill tones that are both high-pitch and uncomfortable to the ear. Generally speaking, musicians will avoid these, although there are occasions where the shrill tone is appropriate, and even necessary. An example might be when a particular part of a musical composition is purposely presented to make the audience uncomfortable, or maybe as a counterpoint to something soft and nice.

Sustain refers to the period of time during which a sound or a note remains or continues before it disappears altogether. This can be accomplished artificially through the use of a sustain control built into an amplifier or foot pedal. Sustain is quite often used as a measure of the quality of an acoustic guitar, an acoustic-electric, or a semi-hollow-bodied electric.

Resawn East Indian rosewood, curly maple, mahogany, and many other tree species are used often for the sides and backs of acoustic guitars. Thin slices of these woods vibrate or ring clearly for extended periods of time when a string is plucked or when a chord is strummed. Popular species for acoustic guitar tops that are known for their excellent sustaining characteristics include spruce and western red cedar. As well, the neck of the guitar plays an important role in sustaining notes. Rock maple and mahogany are favorites. As a guitar ages, the wood fibers break down somewhat to further enrich the sound quality of the instrument. This is one of the reasons that older guitars can command high prices in the market place. Generally speaking, the more a well-constructed acoustic instrument is played over time, the richer the sound becomes.

Next Posting: I will explain the how to’s of Intonation and string Action.
Please Subscribe to my Custom Guitars Blog so you will be notified of future postings.
To those of you who have contributed your thoughts and ideas, thanks once again for your input.

Of California Dreams, Artificial Cowboys, and Clean Getaways: The True Story of the California Redwood Custom Jazz Guitar

January 22nd, 2011

There’s a great story (at least I think that it’s a great story) that goes with the history of the redwood incorporated in this guitar that I call the California Redwood Custom Jazz. http://www.ericjosephelectricguitars.com/shop/jazz-specialcalifornia-redwood-newsummer-2011-p-138.html?cPath=33
It is a true story and I promise not to embellish (too much). No really. I’ll be totally straight.

It was the autumn of 1984. My new young family was living in our first house just outside of Chicago. My daughter was about a year old, certainly old enough to take a fairly long car trip. So my wife, daughter, dog, and I packed up our VW bug, and headed out to California to visit my older sister in Santa Cruz. It was a great drive and visit. When it came time to return to Chicago, we decided that it made more sense for them (wife and daughter) to fly back. Besides, I acquired a 6 foot long, young California redwood log and a couple of beautiful redwood slabs. So I strapped the log on the top of the car, loaded the slabs flat on the folded down back seat, so Cotton, my dog could have a place to lie down. A nice and efficient setup. We were off and running.

Naturally, hauling a heavy redwood log on the top of a VW Bug, no matter how well secured, was a potentially hazardous undertaking ( root word, undertaker?). After all, going through the Sierra Nevada mountain range and the Donner pass was no small feat, even without a heavy load strapped to the top of my Bug. Some of you may be familiar with the tragic story of the Donner party. For the rest of you, here it is in brief, and in someone elses words. “In the winter of 1846, the Donner party was a wagon train of 87 pioneers that resorted to cannibalism after they became trapped by heavy snows in the Sierra Nevada mountains.” http://www.essortment.com/all/donnerparty_rvoc.htm

For a pretty thorough and detailed history of the Donner party tragedy, here’s a good place to start. http://www.essortment.com/all/donnerparty_rvoc.htm

After seeing the other half of my family off on a plane to Chicago, Cotton and I started east. It was really a very nice day. A t-shirt or long sleeved shirt kind of day. Even at the gas station located at the base of the Donner Summit. On the way to the gas station, I started seeing blinking signs warning that CHAINS ARE REQUIRED AHEAD or something similar. It was kind of scary because I couldn’t reconcile the current nice conditions with anything like CHAINS ARE REQUIRED weather. Pulling into about the only gas station at the base (remember that this was 1984), I inquired within. And wouldn’t you know it? They had just my sized chains. Wasn’t I lucky. Except that I didn’t have much more than the $40.00 for the chains. So I purchased the damned chains and asked the guy to put them on. “Oh no, you don’t want to put them on HERE. They’ll get busted up on the bare road surface. You want to put them on up ahead where the road is covered in ice and snow.” “OK so can you show me how to put them on,” I asked? He showed me how to put them on.

Cotton and I are off again, gassed up, chains on the front passenger side floor. On our way to Donner Pass Summit. signs and elevation markers along the way ominously warned of upcoming conditions. It came up fast. Not Donner Pass – the blizzard! For real. It’s true what they say about conditions changing, sometimes in a moment. Fortunately, there were enough places to pull in and stop to rest, or to put on your chains. The problem was that it was snowing so hard and the wind was blowing so much, it was impossible to get out of the car. So what to do? We could stay and decide who will eat whom or… leave without the damned chains installed. It was obvious that we would leave. Besides, Cotton was a very large white, male German Shepherd. There was no question what we were going to do. Although Cotton was much stronger than me, he would never kill me. Unless he was really, really hungry. People do funny things when they’re starving.

It was rough going. White-out conditions. The heavy, blinding snow and incredible cross-winds were blowing my top-heavy car every which way. It was an emotionally draining experience but obviously, everything turned out OK in the end. Here’s an image of the general area we went through during the blizzard. http://media-cdn.tripadvisor.com/media/photo-s/01/29/b2/3a/donner-pass.jpg I had those unused chains sitting in a box for years. I even brought them to Maine with me, even though I’d never need chains again.I’m sentimental that way.

Exhausted and desperate for sleep, we drove on in the dark until we found a small town named Battle Mountain in Nevada. I had the worst headache that I ever experienced in my entire life. Cotton puked. Something weird was going on.. I was sure.

I guess the guy who owned the local saloon also owned the town’s only motel. In order to register, I had to go through the saloon. And it was a saloon. Real cowboy-like guys hung out there. Some wore big revolvers and big cowboy hats. Everything seemed to stop when I entered that place. I tried to be cool and friendly. I sensed hostility. I was hoping that they weren’t aware that I was shaking in my sneakers. Anyway, I finally got the room. My change came in the form of silver dollars. I saw no paper money while I was in that town. I felt like I’d been thrown back into another era, like an old episode of the Twilight Zone.

Three of our cowboys got in their car a little later and started driving around the motel hootin’ and a hollerin’. Sometime during the night I heard footsteps near my room. So did Cotton. He had a remarkably convincing growl. Low and menacing. Thank goodness. I guessed that they weren’t aware that there was more than one of us. They left. But still I had trouble sleeping. I’ve never had a migraine headache, but as they’ve been described to me, I was real close. Nausea. Awful.

Cotton and I got out of there in the morning while it was still dark. Breakfast and coffee would have to wait. Soon afterward, I heard on the radio that the army had destroyed old nerve gas canisters with bombs out in the Nevada Desert the previous day. Do you think maybe that had anything to do with my headache and Cotton getting sick? Just another example of our government keeping us safe from the poison gas that they produced to safeguard our land from the bad guys who had their own storehouses of poison gas that they would eventually have to get rid of, probably in a similar manner.

So after we got back home, I cut the redwood log in half lengthwise and didn’t do a thing with either half for over 25 years. I’ve collected wood for many years and dragged it with me wherever I’ve moved. As a practicing sculptor, having a large inventory of raw materials is always a good idea. You just never know when something will come in handy. Consequently, today I have all sorts of rescued and otherwise acquired materials to use in my guitars. Among these are entire abalone shells that I got for free from a seafood restaurant in San Francisco. They were thrown outside in the back of the restaurant to be carried off by the trash people. One man’s junk is another man’s treasure. Yesterday’s junk goes for $25. a piece or more. Abalone shell is cut and shaped, usually by hand, to make the decorative dots, squares, and rectangles that you will see as side and top fret markers on many guitars. Some very beautiful work adorns many quality guitars. Here is an entire abalone shell. http://www.working4spirit.co.uk/images/paua-abalone-polished.jpg And here is an extraordinary example of the work done on the back of Martin’s one millionth guitar. http://guitarinternational.com/wpmu/files/2010/11/back.gif

My stash of Brazilian Rosewood I got from a musical instrument company in Chicago that manufactured xylophones. They were throwing it out because it wasn’t useful for their purposes.

The California redwood that was used for the Custom Jazz guitar is relatively soft and lightweight. Since it was a nice thick section in the center of the instrument, my guess was that the sound produced by the finished instrument, would be very special. There are many variables that will color the character of an electric guitar’s sound, like pickup configuration, wiring, the neck, the strings, the bridge, the nut, etc. I read a quote from Eddie Van Halen a long time ago that has served me well ever since. He said that you can learn a whole lot about an electric guitar by playing it not plugged in. He was absolutely right. Some guitars will have a sustained sound that is bright. Another may ring in a lower and softer range. And still others will sound like nothing at all. Kind of like a dull thud. You probably want to stay away from those. Next time you check out some instruments at a music store, try it for yourself. It may very well help you make your final choice of an electric guitar. Wood matters. If it matters to you, learn all you can about different wood species and their suitability for what it is that you have in mind.  There are, of course, many Internet sources to guide you. My favorite book about wood is Wood, Identification & Use, Revised and Expanded by Terry Porter. Guild of Master Craftsman Publications, 2006.

Over the Top Down Under and Exceptional Guitar Tonewoods

January 16th, 2011

Many tens of thousands of Australians have left their homes as “biblical” floods deluged an area of Queensland as big as Texas, with fears of worse to come. Army helicopters dropped supplies to stranded towns, police patrolled in boats looking for looters, and families were warned of the risk from giant saltwater crocodiles and poisonous snakes being washed into their streets and living rooms.

Australia (and New Guinea, and some neighboring islands), home to the marsupials (pouched animals), like the kangaroo and the wallaby, also provides an ideal environment for giant, ferocious, and poisonous reptiles.

I confess that one of the primary reasons that my wife and I moved to Maine back in 1984 is that there are no poisonous snakes. They’re not allowed. That was one major thing that we had in common. That is, our perfectly reasonable fear of snakes, admittedly, bordering on ophiophobia, or the abnormal or unusual fear of snakes.

So you can imagine how I responded when the news report mentioned that on top of the misery caused by the floods, vast areas in Queensland were without power. No light! Alfred Hitchcock could not have set up a more frightening plot. I think that the terrible events of the past weeks, including the flooding and landslides in Brazil, and a shooting in Arizona that requires no more words said (not by me anyhow), influenced my writing this piece.

As usual, there is rhyme and reason to my asides. I’ve always been fascinated by Australia and it’s wildlife. Not only is this home to animals not found anywhere else on earth, it is also a natural habitat to some of the most unusual plant life found anywhere. This includes trees. Some fine tonewoods that you may not be familiar with are indigenous to this region. They include Jarrah (a member of the eucalyptus family), Tasmanian Blackwood, Tasmanian Myrtle, Black Heart Sassafras, Flame and Lace Sheoak, Wando, and Australian Lacewood. Here is one of my Lowrider Special electric made to order instruments, featuring a rare Flame Birch top and an Australian Lacewood back.

http://www.ericjosephelectricguitars.com/shop/lowrider-special-flame-birch-p-127.html?cPath=48. Those of you who have surveyed my site will have noticed that the backs of my guitars are of equal importance aesthetically as their faces.

Australia is home to some of the world’s finest luthiers and indigenous wood species. The exciting and truly fantastic guitars created here tend to get little attention from the west. Maybe it’s the relative remoteness of the island nation of Australia. Do yourself a favor and visit this site http://www.australiantonewoods.com/atw/back_&_sides_information.htm

and discover some of the many unique tonewoods available for those wishing to build a guitar or some other stringed instrument like a ukulele, mandolin, or Weissenborn (what’s this? Read on). Here you will find kits, sets, soundboards, necks, etc.

Not very far from Australia proper is the island state of Tasmania. As well, it boasts many fine and creative makers of guitars and closely related instruments such as the Weissenborn. The Weissenborn is a unique acoustic slide guitar that can easily be turned into an electric instrument. Here http://www.weissenborn.es/g_history.html you can read about its origins and view some fine examples of this special musical instrument. While you’re at it, visit http://tasmaniantonewoods.com/guitars. Here you will find, among other things, some finely crafted acoustic and electric stringed instruments.

In closing, I know that I speak for most all of us in wishing that the abnormal and unusual events of late and the pain that has been heaped on millions around the world, will fade into history as freak blips on our collective radar.

Reflections, Relationships, and Nuts: Custom Electric Guitars

December 30th, 2010

All species are to some extent dependent on one another. Nowhere is this interdependence more pronounced than in the world’s rainforest ecosystems. These relationships take many forms in the forest.

http://rainforests.mongabay.com/0202.htm Examples both simple and direct are the birds and the bees. Birds scatter seeds over hundreds, even thousands of miles. Bees pollinate the fruit orchards and strawberry fields. And without squirrels to scatter acorns across the forest floor, oak trees would grow only where the acorns drop.

Now in the case of the Brazil nut tree reproduction is fascinating and a lot more complicated than the above examples. The relationship between Brazil nuts and guitar construction will be addressed shortly. (*Brazil nut trees are identified as “Brazil nuts” by the locals). That is, they leave off “trees” when speaking of them. They are considered to be the most important trees in the rainforest economy. These trees provide nuts and latex, both important harvests for families who live and work in the Amazon. Brazil nuts grow from between 100 and 150 feet tall and bear fruits that are dropped during the rainy season. Each fruit bears 10 to 20 seeds, which must be taken from the coconut-like fruits and carried to a drying kiln. The Amazon Conservation Association is working to help sustain the Brazil nut industry because it is important to the people and biodiversity of the rainforest”. http://www.ehow.com/list_7607207_tall-trees-rainforest.html In addition, the canopied forest environment is absolutely necessary to the lives and life cycles of numerous plant and animal species. In short, when you remove this umbrella, every living thing that previously lived under it is jeopardized.

The Brazil nut is dependent on several animal species for their survival. These large canopied trees found in the Amazon rainforest, Peru, and Brazil, require the assistance of the agouti, a ground-dwelling rodent, for an important part of their life cycle. They look friendly enough, but I wouldn’t mess with this one. http://plantecology.files.wordpress.com/2010/05/agouti.jpg

The agouti is the only animal with teeth strong enough to open the Brazil nut’s baseball-sized seedpods. Here’s a typical sample image of that seedpod. http://www.asknature.org/strategy/c782403fa23f441b38322215b36df640

Here is an image of a freshly cut seedpod. You can see the individual recognizable nuts. http://en.wikipedia.org/wiki/File:Brazil_nut_DSC05477.JPG

And here you can see the individual nuts that you’re probably more familiar with. http://en.wikipedia.org/wiki/File:BrazilNut1.JPG

The agouti only eats some of the Brazil nut’s seeds.  Then it scatters the seeds across the forest by burying them far away from the parent tree, no doubt for future snacks. These seeds then germinate and form the next generation of trees.

For pollination, Brazil nuts are dependent on Euglossine orchid bees. Without these large-bodied bees, Brazil nut reproduction is not possible. For this reason, there has been little success growing Brazil nuts in plantations. They only appear to grow under natural rainforest conditions.

Here’s a little known fact about the Brazil nut that I learned as an 11 year old boy scout Strike a match and put it to the nut (shelled). It will burn for up to 2 hours. OK. All together now: “So the h_ll what?” What an attitude! Here I’m giving you a useless fact, free of charge. And that’s all you can say? Let’s say that you’re on a camping trip or there’s a monster blizzard (like last night up and down the eastern seaboard of the USA) and you lose power. What to do? You pull a Brazil nut or 2 or 10 out of your backpack or pantry. Put them on a little dish and light them. Aside from light, they can provide enough heat to cook on or to keep your hands or toes warm. Personally, I don’t think the Brazil nut tastes like anything. If someone asked me to describe the flavor of a Brazil nut, I’d have to say that they don’t taste like anything. Now, I’m sure that lots of you don’t agree with me, but I don’t care.

The bottom line is that you should leave these wonders of nature alone. Collect the nuts and go home. If you wish to buy or make a guitar or bass or any other wooden musical instrument with the wood of the Brazil nut, forget it. It’s illegal. This site shows an image of a sample board plus every characteristic of the wood that you could possibly imagine. http://www.thewoodexplorer.com/maindata/we161.html

The good news is that there are lots of other wood species available to make musical instruments that are not endangered, and are in fact, plentiful. Besides, the wood isn’t particularly unique or exciting.

Brazil nuts take a long time to mature for optimum nut production. A 200 year old tree is considered young. At 800 these trees are thought to be mature. They can live to 1000 years of age if left alone. That’s the key. Like so many tree species, they are cut down before their time. The wood isn’t particularly distinctive. It’s brown and lacks a unique grain. On the hardness scale, it is very close to rock maple. . It’s easy to work, good for making fine furniture, canoes, flooring, plywood, and numerous other domestic and industrial purposes. In addition the wood takes on a beautiful high polish. You could probably even make a pretty nice guitar, acoustic or electric; Or maybe a mandolin, violin, cello, or harp. Except that, again, it’s against the law to harvest these trees. However, if there’s a choice between felling and burning these giants of the Amazon to clear the land for raising crops (bad idea) or to raise cattle (worse), or to build WalMarts (I’m not joking), or to build super highways (already in the works) and stealing them outright to produce useful items for domestic or export commerce, the answer is clear.

A large percentage of families in Peru and Brazil have been making a good living collecting, drying, and selling Brazil nuts for over a century. The nuts fall and “pod” in the month of November each year and are collected by hand. They’re then dried and sold. Tons are exported yearly. It’s a sustainable industry. It doesn’t harm the forest. It is illegal logging that is threatening the Brazil nut habitat. Subsistence farmers (i.e., those individual farmers working only to support their families) who have been moving into the area, clear their acreage, including the Brazil nut. This is where the expression “slash and burn” originates.  This insidious practice works like this: someone builds on a piece of forestland. He then calls it his own. Then he moves farther in to stake a claim to that piece of land. Then he starts selling cleared land to other people. This is how the land is, in essence, stolen. Everyone has a right to make a living. No one has a right to destroy the Amazon rainforest, a precious and irreplaceable jewel of our earth.

As I said (in so many words) in an earlier piece: In this very short period that we inhabit the earth, we can give or we can take. We can create or we can destroy. In the end it’s really an individual’s choice as to whether he or she contributes for all to benefit.

You owe it to yourself, if for no other reason than curiosity, to read the following page on the disappearing rainforests. Fascinating and alarming.

http://www.rain-tree.com/facts.htm

Here is a fine recording reflective of the rainforest calamity afflicting the earth: Stephen Stills, “Amazonia”, 1991. Widely known for his bright, crisp, biting solo work using his Martin D-45, Mr. Stills plays a mean Spanish guitar on this poignant composition that speaks to the threats facing the northern South American Amazonian region. It is ironic that amidst such natural beauty not found anywhere else, that there are those individuals and huge conglomerates so willing to destroy for totally selfish purposes. And yet it is shrinking dramatically every minute of the day, every day of the year; threatened from within and from the outside world (us). Have conditions improved since 1991? Yes! Have we solved the problem? No. Is there hope? Maybe. People and governments are beginning to finally see what subtraction really looks like. How much? 150 acres every minute of every day! This is animal and plant life that will never, ever return. What’s at stake? Oxygen, for one. Trees produce it. And carbon dioxide. Trees store it.

What happens when you cut down too many big trees? Aberrant and dramatic fluctuations in earth’s temperatures result. Weird and sometimes deadly weather events occur. Massive forest kills happen due to temperature and chemical imbalances. What else is lost? Maybe cures for our worst diseases. Maybe lifesaving pharmaceuticals and compounds synthesized from rare plants, roots, leaves and bark. What else is at stake?  Maybe us.

The old saying “Look before you leap” is one to take to heart. Maybe it’s the time of year. It may even be a sign of personal growth or maturity   Many of us tend to reflect on the state of the earth and not merely about our own self-serving needs and desires. We can inquire about the origins of the products that we are considering for purchase and the foods we may or may not consume.

If by chance you are considering the purchase of a guitar in the coming new year, it takes just a little bit of extra effort to discover the origin of the raw materials going into the creation of that guitar. It takes just a little bit of extra research to discover whether the craftsmen and craftswomen who built that instrument were working under reasonable conditions and at a fair pay scale. When acoustic and electric guitars started showing up online around Christmas selling for under $200.00, it’s natural to be suspicious. It’s highly unlikely that an American luthier could even purchase the materials locally to construct a quality electric guitar for $200.00. Even if one could do such a thing, all other business costs would have to be absorbed by the builder. So life is unfair. What else is new?

Being that we are very near to the end of 2010, I want to take a moment to wish my readers and supporters a happy and productive new year…but nobody else! Just you. Normally, I don’t make a new year’s resolution. This year I really have to because there is a rather large portion of the population (I think) that I’ve been particularly hard on (not that hard on), but silently. And they are the individuals, who through no fault of their own (I hope), use the following words and phrases either inappropriately, or way too often: transparency, sustainable, whatever, like, you know, at the end of the day, surge, terrorist, thinking outside the box, and of course, everybody’s favorite, unintended consequences. Please, please come up with some new words to copy from one another if for no other reason than to keep things interesting. You know what I’m saying.

If I can be serious and off topic for a moment:

Many millions of us are out of work. Of the 78,000,000 or so “baby-boomers” out there, millions have lost their livelihoods, maybe forever. And the millions of young people all over the world who are trying to get their first break in the world of work, are discovering sadly that they don’t seem to matter. And guitars and rainforests are not exactly your main concern today. How many times have you heard or read that you will have to “reinvent” yourself numerous times throughout your work-life? So what’s that supposed to mean? There’s no guidance from anyone that I know of about how to go about reinventing yourself. A piece of advice that I’ve offered to my children at times and that I have to remind myself of way too often nowadays, is this: Recall your own unique talents and/or abilities. Write them down if it will help. I’m not talking Mr. Rogers “you are very special’, or some crap from your teachers about how “you can be anything that you want to be.” You aren’t so special. Your last boss let you know that (in so many words). The rejections that many of us have received from former employers or prospective employers only reinforce.this notion that you aren’t unique.

Recognize what you are capable of. Recall aspects of your life in or out of school where you received some sort of recognition. Even if it was something that you did in the 3rd grade where you seemed to stand out. A spelling bee or a particular area where you excelled earlier in your life are examples. The point is that there is much that each of us can draw on. We can’t completely reinvent ourselves, but we can recognize positive things about ourselves that maybe went unnoticed or else was just forgotten. Build on the positive things about yourself. Build on your past. It’s all you’ve got. Rejecting your past accomplishments and demonstrated abilities is ultimately self-defeating. In the end, your unique set of talents, abilities, and accomplishments may set you up for work with someone else, or for some organization. You could simply be one of those people who can’t or won’t fit into an organizational setting. That’s why so many people attempt to start their own businesses. Working for yourself requires discipline, long hours, a really good idea, a solid business model, startup cash, patience, and luck.

And maybe it doesn’t work out the first time. But if you believe in yourself and you don’t give-in to discouragement for too long, you can bounce back to give it another go. Sure beats doing nothing.

OK, enough! A new year will begin in a couple of days. I’m looking to try out some new things and maybe come up with a couple of new guitar designs in 2011. What about you?

The Lowrider Special/Custom Guitars

December 2nd, 2010

Today I would like to communicate primarily through the use of images. I will begin with a visual survey of the electric guitar and bass models that I have created and offer for sale.

http://www.ericjosephelectricguitars.com/shop/EJ-Available-Models/index.php

Sometimes a picture really is worth 1000 words. I think you’ll see what I mean in a minute. Here, I documented the process of making one of my more recent electric guitar models, the Lowrider Special. Many of us absorb concepts through the use of imagery, including the photographic. This is certainly true of very young children and some adults, like me. I do hope that you find this set of images easy to follow and understand.  And as always, your comments are always welcome.

http://www.ericjosephelectricguitars.com/shop/ejo/Making_the_Lowrider_Special.html

Extreme Guitars and Other Unusual, Rare, and Strange Stringed Instruments

November 29th, 2010

I spent much of this past week gathering information from various sources in preparation for writing this article. Doing this research brought me face to face (figuratively speaking) with some of the world’s most daring and talented individuals. As so often happens when I’m searching for one thing, I invariably discover something else that will distract me, but in a good way.

José Lucio is a 39 year old Portuguese luthier, who created what I believe is the world’s largest guitar. All 4 tons of it. To scale. Using only the genuine wood species he uses for his own guitar creations. Experience his video here http://www.youtube.com/watch?v=pC-49GnjdTE&feature=fvw What caught my eye initially was the shape of a Portuguese guitar because it reminded me of a lute (a very close relative to the guitar). Portuguese guitar strings typically come in sets of twelve to be strung in six courses of two strings each.

“The Portuguese guitar, or guitarra Portuguese, is a sort of 12 string cittern strung in six courses. The Portuguese guitar has a unique tuning system.” And a very special sound. Here is a good example http://www.youtube.com/watch?v=yWEMtG5fPMc&playnext=1&list=PL04715795E2A8F18E&index=29

The cittern referred to above is like a 10 string version of the Portuguese guitar. The tuning machines are similar to a regular guitar, whereas the Portuguese guitar’s tuning machines are like nothing that I’ve ever seen before (see and hear the above youtube video).

On the other end of the guitar size continuum, check out the following video of a tiny Fender bass knock-off in action.

http://www.youtube.com/watch?v=Aoi-YRW_YKA&feature=related

And here is a real nice sounding mini-acoustic guitar

http://www.youtube.com/watch?v=cvfu5O1lqpU&NR=1

Here’s a guy who seems quite comfortable playing his monster-sized (Flying V™ knock-off) guitar.

http://www.youtube.com/watch?v=qTX3CaTWbkM&feature=related

And here is the ukulele-playing phenomenon who’s got quite a following (going on 31,000,000).

http://www.youtube.com/watch?v=ErMWX–UJZ4&feature=related

“No. 3 from Six Petite Pieces was written by Fernando Sor for the Harpolyre. This guitar was built in Paris in 1830′s and the music was written just for this 3-neck guitar. It is a historic instrument. Fernando Sor was the father of the Classical Guitar movement.”

http://www.youtube.com/watch?v=UAf_5nn9zNI&NR=1

Here is one beautiful design. http://www.harpguitars.net/history/org_images/Fretted_hgs/harplyre_copy-doan,char.jpg

Here is another. I love this one!

http://www.harpguitars.net/history/org_images/Composites/copenhagen_tripleneck-erik_guttman.jpg

Here is Steve Vai on the 3-neck guitar, a modern take on the above traditional instrument

http://www.youtube.com/watch?v=jY8wyKuLY2k&NR=1

Please view these 2 videos in their entirety to appreciate how articulate this musician can be playing only with his feet. How he lost his arms is not as important as the passion he puts into his music in this courageous and totally uninhibited public performance.

http://www.youtube.com/watch?v=m3gMgK7h-BA&feature=related

http://www.youtube.com/watch?v=KDLvlicXBV8&feature=related

Here is Yngwie Malmsteen playing a classical piece on an amplified acoustic guitar.

http://www.youtube.com/watch?v=WpDblDia5TE&feature=related Trained in the classic tradition, Yngwie transcended his classical training to develop his own sound and voice.

If you’d like to do further research on your own, here’s a great starting point. http://en.wikipedia.org/wiki/List_of_string_instruments

You will find numerous named instruments that you probably never heard of. Each serves as its own link to pages of history, illustrations, and photos.

Being that guitar R&D is an ongoing process, we can expect many new and exciting instrument variations and discoveries over the coming years.

The players and inventors outlined above have developed their own unique way of doing things. They have followed through on their ideas, letting nothing get in their way. Without these and other innovators who have given us so much over the years, I would have very little to say today. Fear of failure will keep many people from realizing their ideas and dreams. A developing world of concepts can only come to fruition through the efforts of those who are not afraid to fail.

ej