Today: ethics, perceptions, expressions, enforced and sustainable preservation of plant and animal species, images, guitars, and a few quick must do guitar how to’s that some of you can learn to do all by yourself.
You’ve no doubt heard the expression that “There’s more than one way to skin a cat?” But why would you? This is, of course, an old expression that means that there’s more than one way to do something or to get something done. An explanation of the origins of this expression may be found here (http://www.worldwidewords.org/qa/qa-mor1.htm). Using your imagination and taking this expression literally, the act is a violent one, conjuring up terribly gruesome images, no matter how you feel about cats. It is an expression that was once used quite often. Not so much anymore. “Killing 2 birds with 1 stone” is another expression that conjures up violent imagery. We get the point. Is it in the nature of our national character that such expressions gain popularity? Is there even such a thing as a national character in a country such as ours? A land of immigrants from every corner of the globe. OK. Go ahead. Find me a corner on the globe–any globe. I know I’m drifting. Back to the show!
To bring your attention to a couple of my guitars, I’ve come up with a new expression. An expression that can evoke a similar response on the part of the reader as those described above. We can laugh at the idea of “hot zebra sandwiches” because it sounds funny and because we (I) don’t really take it seriously. No doubt, there are restaurants in certain locales where one may order a zebra sandwich. Doing a bit more research, I’ve so far come up with nothing. Apparently zebra meat is considered a delicacy in some cultures though. The catch is that there are no legal avenues for obtaining it (that I’m aware of). One must rely on poachers; poachers who are regularly arrested in places like Nairobi, Kenya whenever the national park police can catch them killing zebras and other endangered animals.
Fortunately for people like you and me, zebrawood is available from quite legal and sustainable sources. Like so many wood species, zebrawood has to be protected from over- harvesting. A combination of effective law enforcement in targeted forest zones and efficient tree plantation growing practices, helps to assure the continued survival of the species.
So here in this article, obviously the “hot zebra sandwich” is merely a play on words. Besides, I’m a vegetarian. I created two electric guitars made largely of zebrawood. In the case of one of these, zebrawood is used for the top and back of the instrument and American black walnut is “sandwiched” between the two. For the second instrument, zebrawood is used throughout, where the tone and grain of the center plate is visually distinct from the top and back.
“The wood of Microberlinia, also known as Zebrano,is imported from Central Africa,(Gabon,Cameroon,and Congo).
”(http://en.wikipedia.org/wiki/Zebrawood)
These instruments are not only distinct visually from each other, but the built-in electronics are very different. One is equipped with Golden Age™ ALNICO matched V-Style pickups with a 5-way switch and the other has Seymour Duncan™ humbuckers installed along with a 3-way switch. Naturally they possess individual sonic characteristics; something that’s impossible for me to describe in words Shortly, I intend to create a brief YouTube video that will clearly distinguish these 2 instruments sonically.
In this zebrawood jazz model you can see the “sandwiched” walnut plate.
In this(below)all zebrawood solid body model, the “sandwiched” plate is also zebrawood.The grain runs in another direction and the tone (color) of the plate is much lighter. What you can’t see is that the center plate is much less dense than the top and the bottom of the guitar body. It likely came from the outer part of the tree where the wood is generally less dense than the heartwood (inner portion of the tree). This choice accomplishes 2 things. First, it makes the instrument lighter in weight. Secondly, it may even help enrich the overall sound quality of the guitar.
Using the Jazz model as an example, I’d like to briefly describe the operations necessary before we can call this instrument complete, finished, and ready to play. They are: straightening the neck(if necessary), leveling the frets, crowning and polishing the frets, and cutting down the height of the guitar’s nut.
Prior to leveling the frets, I first must make sure that the neck is straight. Using an absolutely flat straight edge and by making small incremental partial turns with the truss rod wrench, it’s fairly easy to arrive at your ideal neck setting.
Once this is done, the frets must be leveled. This is done with a heavy steel leveling bar and adhesive-backed sandpaper. The idea is that the frets should be cut down to the bare minimum necessary to achieve your goal, i.e., a flat surface where the frets are just touching the surface of the straight edge. I use 150 grade sandpaper.
You are left with a flat surface on those frets that were on the high side, i.e., those that were sanded with the steel surface leveling bar. At this point each fret must be “crowned.” A crowning file is a curved file that rounds each fret, achieving, once polished, a surface suitable for playing on. Here is a crowning file with additional inserts to accommodate various fret sizes. Frets range from narrow to wide and from high to low.
Fret polishing is achieved with a small buffing wheel attached to a small high-speed grinder. An electric drill will do. A small quantity of polishing compound on the buffing wheel will achieved your desired polish. A gentle pressure will do the job. Too much pressure will change the shape of the fret.
Another thing that you can do to increase the sustaining power of your individual notes when playing is to cut down the height of your guitar’s nut to the minimum necessary to hold your strings in place.
In the above case, you can see that the strings will get buried in the nut. Technically, this will work out fine, but isn’t necessary and not recommended. You also run the risk of strings getting caught and pinched in a groove so they can’t be tuned. Easy to correct but a real drag when you’re attempting to tune your guitar. This bone nut was sanded down another 1/8”, so that the strings are simply cradled in the groove. This easy step can dramatically increase a note’s resonance (sustain) and enrich your playing experience.
Here’s the Jazz zebrawood guitar prior to the final setup step that involves adjusting the string height properly, i.e., not too high (hard to play) and not too low (fret buzz).
In the case of the solid body double cutaway zebrawood model below, the repetitive diamond patterns were achieved by resawing (slice board into 2 matching boards) the board and rearranging the sections to achieve the effect.
Get full description and additional image views here http://www.ericjosephelectricguitars.com/shop/zebrawood-black-walnut-jazz-p-106.html?cPath=33
Get full description and additional image views here






































